Wednesday, 12 November 2008

Celebrating our 1st anniversary & 100 entries





Today we are celebrating our 1st anniversary of blogging and also we are celebrating 100 posted entries. I would like to start by saying THANK YOU ! for all of the support I have received from my readers and colleagues. It is hard to imagine that a year has past, but I guess time flies when you are having so much fun.

Some of the highlights in the year have been the interviews with international design celebrities such as Barbara Barry, Kenneth Brown, Thomas O'Brien, Vicente Wolf, Patricia Gray, & Johnson & McLeod Design Consultants. Local design celebrities Bruce Wilkin, Lana Lounsbury, Colleen Buker, Christian Barnard & Ross Taylor and recognized artists like Richard Roblin & David Ellingsen.

I also want to say a big THANK YOU ! to all my team at Meade Design Group in Victoria, BC Canada. Miss Echo, Miss Bobbie, Miss Jane (my 1st offical fan), Miss Sarita, Miss T, Mr.Jeff and Mr.Greg for all your help along the way - over all for being so patient with me and correcting my entries all of the time.

I also want to mention that I really appreciate the comments of some of my fellow bloggers that have supported me amongst others Patricia Gray, Paul Pincus, Querat, Paper Mouse, I always enjoy reading your blogs and they are always such a big insipiration.

Keep checking the blog for more celebratory great intreviews from Ron Woodson & Jaime Rummerfield and Mr.Preston Bailey, and of course with the holidays on the way expect more top ten lists as well.



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Sunday, 9 November 2008

Eye Candy of the Week



Product: The Basket - Dining Table


Designer:
Tareq Abu Ghazaleh

Material: Ebony stained Oak (other finishes also available)

Collection: Masara

Yummy Factor:
HOT & SPICY !


In ebony stained oak, this stunning table has simple, but yet beautiful lines in an inverted cone shape.

Playing on the traditional basket shape, Qerat / Tareq one of my favorite fellow bloggers and furniture designers has found inspiration from one of those simple elements that you always find in the rural landscape. The basket table was conceived with modern touches and can fit with many themes, from mid century modern to eclectic design.

And of course, the Basket dining table comes in different types of wood finishes.

Tareq took his inspiration for the line's furniture design from the classic forms of farm life and culture but with a twist. In fact the name of the collection, Masara, is a variation on the Arabic word meaning Farm, which in Arabic is pronounced "Mazra'a".

I invite you to visit Qerat's Blog and discover what Jordan contemporary design is offering today. If you are looking for something truly unique and full of exoticism you will be excited by what you see on Tareq Abu Ghazaleh's blog. It's a site where one day you'll read of walks in the streets of Amman, feeling the flavors and characteristics of the city; and the next day you may see a beautiful chair reupholstered in a stunning citrus damask. Keep looking and you'll find many more hot and spicy eye candies just like " The Basket " dining table or " The Cube ".




MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Sunday, 2 November 2008

In Conversation with Colleen Buker

Colleen Buker

As seen in SNAP - November 2008 - " Design Feature "

Colleen Buker is a very talented local designer. I had the pleasure of meeting her years ago when I started my career in design here in Victoria. I do remember a very valuable lesson she taught me back then, when she noticed that my measurements for a window treatment were backwards. Coming from México and adopting myself to the imperial system was a real challenge, and I was so appreciative of her taking the time to help me. Since then we have shared a great friendship.

From residential to hospitality design, Colleen’s award-winning designs are matched only by her passion for people and overall great taste. One of Colleens many strengths is custom furniture design. Colleen’s furniture pieces have always been characterized by the elegance and the understanding of their lines, scale and proportion bringing a sense of uniqueness to each space that she designs. Her interiors are often transitional with a perfect blend of classic and modern characteristics. Colleen Buker is one of the best keep secrets in Victoria.

I have always found what my design colleagues treasure very intriguing, so I had to ask Colleen what her favorite design find was and the story behind it.



Iván
- What is your favorite local find? Where did you get this item – how long have you had it?

Colleen -
My print of "The Chinese Girl" by Vladmir Tretchikoff. I was wandering through an antique emporium and saw the print from far away. It just captured my attention and I knew it was important. It was in a kitschy 60's frame. I have had it since 2003.


" The Chinese Girl " by Vladimir Tretchikoff


Iván - Why is it important/inspirational to you?

Colleen
– Reading about and discovering [the artist] life was so interesting...it is about perseverance and following your passion.

Iván -
How does this item reflect upon your personal design philosophy ?

Colleen
- "Express your passion - do what you love - no matter what" Quote from Vladmir Tretchikoff Says it all, don't you think?

Iván Meade
– What is the best moment of your day?

Colleen Buker – The first sip of coffee ....... The brand: Kicking Horse Coffee. The blend - Hoo Doo Jo


The Highlander - Victoria

Iván - What was your first experience with design?

Colleen - When I threw my red stuffed horse out of my crib.... I was space planning.


The Highlander - Victoria


Iván – Your interiors are not just beautiful and contemporary, but they are also very livable. How do you archive that?

Colleen – I believe you must be able to live in your space.....the elements which bely comfort are paramount.


Private Residence - Duncan


Iván - Is there any designer and/or architect from the past, you appreciate a lot?

Colleen – Tommi Parzinger - designer & Alberto Giacometti - modern sculpter - painter Iván - and those still working? Colleen – Tom Stringer - Helene Aumount - Katherine Newman


The Highlander - Victoria


Iván – I believe one of your strengths is in furniture design all your pieces are always exquisitely well done – Where do you get your inspiration?

Colleen – Sometimes my inspiration is based on a reinterpretation of an existing piece ….. sometimes it is modeled from a beautiful line or piece of wood. I like to create pieces which marry elegance and comfort, blending the masculine and feminine. In this I hope to create pieces which have a lasting appeal.


Marina Bay - Victoria

Iván - I know that one of your favorite activities is to visit art exhibitions – I also noticed that you always use real art in your projects. Do you select your art pieces to work with the room or the room works around the art pieces?

Colleen
- In most cases the art has been selected after the room has been designed. The clients are in regeneration.....they have expanded to a new scope and so does the art collection. In other cases I have client's art collection which is the consideration point to centre the design.


Marina Bay - Victoria

Iván - It’s the big installation day. What could have gone wrong did go wrong. How does Colleen Buker deal with that?

Colleen - At the moment of discovery - I first register disbelief, second I am in denial and third I am disappointed. Once I have worked through the initial --------- I quickly assess the level of issue or issues at hand and move to correct what needs to be done.


The Highlander - Victoria

Iván – The popularity of the design shows on TV has brought interior design into homes all across our country. If you had a show, how would you educate the viewers about interior design?

Colleen - It is difficult in a half hour time frame to show the amount of time & effort required to plan, develop and execute a project, but I feel this would be very important to present to viewers in setting reasonable expectations for their own projects. I would include budget costs for rooms developed as well.


Shoal Point - Victoria

Iván – A decor fad you hope never to see again?

Colleen – The do it yourself paint technique called "smooshing"


Oak Bay Residence - Victoria


Iván – What is next on your design journey?

Colleen – I am currently designing a custom sectional for a clients media room in their French inspired home. I am very excited about this project.....


Marina Bay - Victoria


Iván - Any words of wisdom?

Colleen
- It is in life's spontaneous out cast moments when the door opens gifting us laughter, love and creativity. Take time for those moments!


The Highlander - Victoria


Iván - Lastly, you have already created a stunning body of work with many mediums and styles, what would you like your legacy to be?

Colleen – You have lived a good life Charlie Brown.

To see more of Colleen Buker stunning work please visit:



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Friday, 31 October 2008

A Meade Design Group Modern Fable - Happy Halloween ! (and also Happy B-day to me!)

Once upon a time ... at Meade Design Group in Victoria BC...


The beautiful Little Red Riding Hood was searching for a stunning new fabric for her little sofa, and of course it has to be red. She found a lovely swatch from a Barbara Barry Collection (Dreamplush - Lacquer) that she wanted to take to her designer extraordinaire Grandma to confirm that her selection was appropriate.



Knock knock - " Grandmaaaaaaaaaaaa.... designer extraordinaire "
" Are you there ? "
" Ok then I will just come in " Little Red Riding Hood called out to her grandma as she entered the design studio.



" What happened here " ...
"and who would knock over such a beautiful Philipe Starck Ghost Chair? "
" What a mess " Little Red Riding Hood said.




" Oh, it looks like grandma was working on a colour scheme, but why on earth is she using green instead of red ?

As Little Red Riding Hood was making sense of her Grandma' s selection she heard some foot steps behind her...



" Grandma you look so voluptuous... and hairy! "
" But your night gown matches the studio perfectly, you are such a design diva "

Little Red Riding Hood had no idea that grandma had actually been eaten by a Big Bad Wolf that wanted to take over Grandma' s design studio.



"Grandma your ears look so big " said the puzzled Little Red Riding Hood.
" The better to hear my clients design needs my dear " answered the Wolf in the Grandma's clothing.



" But why is your nose so big Grandma ? " asked the unconvinced Little Red Riding Hood
" The better to sniff out great design finds my dear " answered the Wolf
" You are not making a lot of sense Grandma " proclaimed Red



" Ok Grandma, then why are your teeth so big and pointy ? "
" I have had enough of this... " yelled the Wolf
" THE BETTER TO EAT YOU WITH !!! " He said as he devoured the Little Red Riding Hood.




Satisfied with his meal the wolf cleaned himself up with Red's hood and dozed off in the beautiful ghost chair.



Meanwhile, Red's uncle - The Hunter, heard the noises coming from the Grandma's studio and snuck in to make sure everything was alright.




When the hunter found the Wolf having nappies inside he realized what had happened and snuck up to seek revenge for his dead family members.



The Hunter successfully defeated the big bad Wolf and continued to run the Grandma's design studio happily ever after. ( Although Grandma's studio's aesthetic appeal became much more rugged from that day forward - he stuffed the Wolf's head and hung it next to the Framed Fornasetti to remind him of that sad day).


The End.


Credits:

Little Red Riding Hood - Echo Eaton
Big Bad Wolf - Ivan Meade
Hunter - Jeff Michaud

Set Design:

Meade Design Group

Products available through Meade Design Group:

Dreamplush in Lacquer - Mohair Fabric by Barbara Barry (Kravet)
Ghost Chair - Philipe Stark
Colour Selections in Grandma's scheme
Jute AF-80 Affinity Colours by Benjamin Moore
Wasabi AF - 430 Affinity Colours by Benjamin Moore
Fabrics in Grandma's scheme
David Hicks GWF-2723 York Castle
David Hicks GWF-2738 Brockholes
3 Form - Varia Seaweed
Wallpaper - Stacy Garcia luxury wallpapers - page 3



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Tuesday, 28 October 2008

In Conversation with Johnson & McLeod Design Consultants

Johnson & McLeod Design Consultants


There are magazine covers that are so memorable that they stick in your head forever, and this was the case with an issue of a Canadian House and Home on March 2002. The exact same month and the same year I officially started Meade Design Group in Victoria, BC Canada.

When I saw the stunning work of Vancouver interior designers Ian McLeod and Kerry Johnson for the first time I wondered if I had what it takes to pursue a career in interior design. That cover with an asymmetrical placement of 4 perfect square orange and yellow abstract paintings, a traditional freshly painted white mantle, white walls and a round concave mirror with an exquisite white frame inspired some of my first projects. Clean, fresh, simple and unexpectedly sophisticated; the work of this design duo has been on my mind ever since.

Ian McLeod and Kerry Johnson have been designing home and business environments for over 12 years. Their projects have ranged from eclectic Yale town law firms to sleek urban apartments, as well as the respectful restoration of historic houses. Johnson and McLeod Design Consultants work emphasizes clean-lines, good proportions and quality materials and craftsmanship.

Iván Meade - What was your first experience with design?

Ian McLeod - Making a playhouse out of a big cardboard box when I was about 6. I remember thinking that the box had a ton of potential as a private space.

Kerry Johnson - It sound trite, but my earliest memory is making the perfect house with those rubbery toy red bricks. I guess the writing was on the wall.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván
– Your interiors are not just beautiful and contemporary but they are also very livable. How do you achieve that?


Ian – We lay out and draw every detail of our work, as much for ourselves as for our clients. That process fixes the spaces in our minds, and tells us early-on weather the design provides visual coherence and good spatial flow for easy movement. We also shun surface materials that can’t take a beating. Why fear your home?

Kerry - When planning layouts or altering floor plans, I always start with what is most practical, and what will allow maximum usage. Once those decisions have been made, we are free to add more decorative elements that create the sumptuous atmosphere that our clients crave.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván – I have noticed that in your interiors you paint the wood paneling with a crisp coat of white paint and this has become one of your signature styles. I definitely agree in painting wood paneling because the change leads to a cleaner, brighter, and more elegant room. However, designer to designer, I just have to ask this question– How do you convince your male clients to paint the wood paneling?

Ian – That’s a hilarious question, because it comes up so often. Men love natural wood. Women prefer to paint it all out. The truth is that most of the woodwork we design for our projects is built from ‘paint grade’ materials, which removes the need for reverential treatment. We reserve high-quality woods for use in floors and furniture.

Kerry
- That is a great question. We've waged some pretty major campaigns to convince the husband that not all wood work is sanctified. Luckily, we do a lot of our work in contemporary structures that don't have any of these elements, so that when they are added, we can do so with paint grade lumber and mill work. It's a compliment to us that you think some of these wooden interior details are vintage, when in fact they are brand new.



Photograph courtesy of Johnson & McLeod Design Consultants


Iván – Talking about signature styles, one of the most clever things I have learned from your work is what I call the glass phone booth effect. I remember being surprised and impressed the first time I saw this architectural detail in one of your published projects in House and Home. How did you come up with this concept?

Ian – We invented it to create transparent separation between 2 spaces in our apartment. It defines a vestibule, yet preserves long sight-lines and allows for good light in either direction. We have since expanded on the phone booth idea many times. We also love the feeling that French doors add to a space, and it’s a great way to use them.

Kerry - Again, this decision was borne out of practicality. We were working on a media room that was accessed by a stairwell to the main rooms upstairs. Our first requirement was how to come up with a way to keep the sound downstairs. We didn't want to darken the room with solid walls, so it seemed that the answer was to use glass. It's a perfect example how something that had to be practical, actually ended up enhancing the look of the room.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván – I believe one of your strengths is styling; your vignettes are always exquisitely well done –Any words of styling wisdom? Where do you get your inspiration?

Ian – I’ve been obsessively collecting and grouping objects all my life. I’ve come to think of it as temporary sculpture or 3D collage. It’s all about creating balance and contrast with a group of assembled forms. There’s usually a unifying element to the grouping in terms of color, shape or subject matter. I might gather and group blue glass, primitive wooden animals, or things that are all in shades of white. Styling is a temporary art form, and that’s part of the fun.

Kerry - We've always been magpies, and have cupboards and cabinets brimming with objects that we've collected all over the world. Our current faves are a set of silver articulated fish that we found in Siem Reap, while touring Angkor Watt. A good friend of ours refers to the constant re-arranging of objects as Chachkas Chess. We're always on the look out for things that sit outside of the ordinary. When displaying these objects, the basic rules of yin and yang apply...place something tall next to something squat, arrange things in threes, keep color and texture in mind, and if you're looking for inspiration, take a look at any European magazine...Marie Claire, World of Interiors...they just seem to have a knack for this sort of thing.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván - I noticed that you always use beautiful contemporary art in your projects. While researching for this interview I discovered that Ian is the artist for some of that art. Ian, I have to say you are a master in colour theory and composition – How long have you been painting?

Ian – I’ve been drawing and painting since I could hold pencils and brushes. I made my living as an illustrator and painter long before Kerry and I developed our design business, and having a background in art helps with the design process in many ways.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván – Continuing along the topic of art, I am curious to know if you select art pieces to work with a room or if it is it the art that inspires the design of the space?

Ian – We have a very open mind about art, and tour local galleries and websites regularly. The art we choose must work well within the completed space, but we try to create rooms that are spare and gallery-like enough to receive an eclectic assortment of art, and allow it to breath.

Kerry
- Generally I defer to Ian when it comes to art work, though we have worked on a few custom pieces together for specific sites.



Photograph courtesy of Johnson & McLeod Design Consultants


Iván – My research also reveals that you both are published writers. Kerry, your articles for the Georgia Straight are full of humour, but also reveal an honest concern regarding what is happening in your surroundings – Do you feel especially attuned to the changes in your surroundings?

Kerry - When something new arrives in the house, it's a bit like introducing a new sibling to the family. It informs everything else, and can have a domino effect to the point where the whole place needs to be restyled. We can't live in a place without visual Harmony.


Photograph courtesy of Johnson & McLeod Design Consultants


Ivan – I still remember the front cover of the House and Home where your condo was featured. The blues and oranges of the square paintings made a very strong impression. I noticed today in your portfolio that your place has changed completely. The architectural details remain, but the furnishings and the rest of the elements have been updated. How often do you change the decor in your own place?

Ian – As the seasons change, we change the art and objects in our environment. I crave the coolness of whites and blues and transparency in the summer. I crave the warmth of gold, orange and red tones in the fall. Our place makes a great design-lab for such change, as it is all pure-white. Rooms based on a white or neutral palette are the ideal place to make low-commitment changes at whim.

Kerry
- Hourly...I know that may sound crazy, but the tweaking never stops. This is a labour of love, so it's a source of enjoyment for us to play constantly with the interior. The basic structure of the house remains much the same, but the furniture, lamps, artwork and lamps are in high rotation. Then of course, there are wholesale seasonal changes that have to be made. Carpets come up for the summer, and go down in the fall, that sort of thing.




Photographs courtesy of Johnson & McLeod Design Consultants


Iván – What is next on your design journey?

Ian – This winter’s roster of design work includes residential projects in Maui and Antigua, which is very exciting. We are also designing a large, family-compound in the gulf islands and will be the architects, as well as the interior and exterior designers. It’s a big challenge, but a great opportunity for us to work without parameters, which is very rare

Kerry - This is a very exciting time for us, as we've been commissioned to plan our first house from the ground up. This has always been a dream for us. Our clients have signed off on the initial drawings, and after years of trying to fix and alter compromised places, it's a joy to start with no restrictions. The architecture of a house is very important, and it's a thrill to start with a clean slate.


Photograph courtesy of Johnson & McLeod Design Consultants


Iván - Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be?

Ian – That is very kind of you Ivan. We just keep working on each project in a consistent effort to create lasting elegance and value. There really is too much waste in the name of fashion. Things that make sense from a practical and aesthetic point of view don’t date easily. I’m proud that many years after we’ve designed a space, a new coat of paint and a change of sofa are often all it takes to bring it right up to date again. If you get the spaces and the lighting right, there’s no need to keep tearing it all down.

Kerry - I'd like to think that we've helped people maximize the potential of their homes, and that at the end of the day they get to live in a home that inspires them every day.


Photographs courtesy of Johnson & McLeod Design Consultants


To see more of Ian McLeod and Kerry Johnson stunning work please visit:


http://www.johnsonmcleod.com/



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011