Friday, 7 October 2011

Introducing Indochine by Barbara Barry

Meade Design Group was a little spoiled this fall, we were able to host the launch of Barbara Barry's latest fabric collection, 'Indochine' with a private gathering of clients. We were actually the first showing in Canada so we feel very special to have been given the opportunity!

 

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Many thanks go out to all of our guests in attendance, as well as Barbara Barry herself, who sent us a note with a lovely gift of her own brand of absolutely delicious Citrine tea. Erica Smolders from Rook & Rose did a stunning job with the Asian themed flower arrangements which set the mood perfectly. We couldn't have done it without the support from the team at Kravet Canada: Brian Donovan and Paul Smith, and of course our rep, Brenda Marks - who gave an engaging and fascinating presentation of Barbara's new line.

 

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We took careful consideration when creating the event's ambiance: Asian-themed accessories were placed throughout the space including fans, sculptures, natural elements, catalogues, and items that Barbara cited as being inspiration for the collection. We lit candles from Barbara Barry's own line and played traditional music in the background. We also had Mrs. Barry's official video about the collection playing for guests to hear about the line from the designer herself. While there were punches of rich tones of fig and charcoal, the palette remained soft and muted so as not to stray far from the look we have all grown to know and love from Barbara Barry, it blends in perfectly with her very first books yet is still very new and unique.

 

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There was an abundance of treats and drinks to be had, including our signature cocktail for the event 'Indochampagne'. It was so well received that we thought we should share the recipe for everyone to try at home for their next event:

 

INDOCHAMPAGNE

 

1 Cube of Sugar

3 Drops of Angostura

2 Teaspoons Barbara Barry Citrine Tea Syrup

Chilled Champagne

 

For Barbara Barry Citrine Tea Syrup, you will need 1/4 cup Citrine Tea by Barbara Barry; the zest and juice of 1 lemons. In a small sauce pan, combine tea leaves and lemon zest and juice with 1 cup sugar and 1 1/2 cups water; bring to a boil, let the sugar dissolve, and remove the pan from the heat. Let liquid cool; strain through a fine sieve. Use about 2 teaspoons of syrup per flute of champagne.

 

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Everyone seemed to have a great time ogling the eye candy, mingling and coveting the gorgeous door prize - two pillows made with brand new Indochine fabric and trim. It seems like great connections were made and guests left inspired to create with Barbara Barry's new collection.

 

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All in all, we'd say it was a great success!

 

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If you would like to see more images of the event please visit our Indochine gallery on our Facebook page.

 

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For more on Barbara Barry, check out these past posts featuring her and her work:

 

In Conversation with Barbara Barry

An Evening with Barbara Barry

 

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MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Saturday, 1 October 2011

IN CONVERSATION WITH SAM DICKIE

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Samantha Dickie

 

I first met Samantha Dickie earlier this year when she approached Meade Design Group about creating a new graphic identity and website for her artwork, after taking a break to raise her young children. I was in awe of her pieces from the moment she showed them to me. They are delicate, organic, textural, sophisticated and primal all at once. I cannot wait to share her artwork and insight with my readers!

 

" I choose to work with clay because of its incredible tactility – clay is raw, visceral and versatile. It can be used as a medium in conventional as well as unconventional ways: to create textural and abstract forms and surfaces that entice a sensory experience and create an altered spatial awareness. I love the rich history of ceramics from the ancient remnants of utilitarian objects to conceptual modern installations." - Samantha Dickie, excerpt from her Artist Statement

 

Samantha has been working with her primary medium - clay - since 1996 and has developed a signature style that has become sought after by art collectors and designers alike. She has had the opportunity to exhibit her work, as well as continually educate herself in her craft throughout Western Canada. I am so excited for Samantha and her return to her beautiful artwork, please read on to find out what Samantha Dickie has in store for her fans…

 
Iván Meade - What was your first experience with Sculpture?

 

Samantha Dickie – Studying Inuit sculpture during my undergrad in the artist cooperatives in the Northwest Territories and Nunavut, particularly on Baffin Island.  But the sculpture that has really struck me has been that which I have sought out over the last 15 years in catalogues and galleries across the world.  Sculptural ceramic work by Hans Coper, Peter Voulkos, Rudy Audio, and Marea Gazzard were early inspirations for working with clay in an unconventional way.  The installation work of Dale Chihuly, Ernesto Neto, Anish Kapoor, and Antony Gormley, has blown my mind with the quality of material and intention.  Interacting with their work and the space it envelops is overwhelming when considering and absorbing its scale, its detail, and its ingenuity.  I love how sculpture and installation can create such a demonstrative experience for the viewer.

 

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Sculpture by Samantha Dickie 


Iván Meade - How would you describe your style?


Samantha Dickie – Contemporary ceramic sculpture and installation using multiple components to illustrate a narrative with an aesthetic that highlights the raw, visceral and tactile nature of clay.

 

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Sculpture by Samantha Dickie


Iván Meade - If you could pick one word to describe your work, what would it be?


Samantha Dickie – Organic

 

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Sculpture by Samantha Dickie


Iván Meade - What made you choose ceramic as your primary medium?

Samantha Dickie – It’s tactility.  I think that’s what makes every ceramic artist fall in love with the medium.  Working with clay is like playing in the dirt.  It’s grounding, and expansive; physical and intuitive.  It’s an amazing material to work with.

 

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Sculpture by Samantha Dickie


Iván Meade - Why is texture such an integral component of your work?

Samantha Dickie – Imprinting texture into the work, or using textural glazes keeps that same earthy, organic quality to the finished piece that is so seductive in working with raw clay and it’s amazing malleability.

 

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Sculpture by Samantha Dickie

 
Iván Meade - You have accomplished something very unique when one sees a piece of yours, it doesn’t matter if it is a single piece, an installation, they all evoke emotion.  All these pieces have been created by you.  How do you achieve this emotional resonance with your pieces? 

Samantha Dickie – Working with simple forms and organic surfaces often evokes a memory, a reminder of a place, a space, experience or feeling that people resonate with.  Perhaps it is a reflection of the process of working with clay, which as I said, can be grounding, and expansive.

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Sculpture by Samantha Dickie


Iván Meade - What do you do to keep inviting the inspiration to come - Do you have other passions that recharge your creative juices?


Samantha Dickie – Travel is a huge source or inspiration for me. It recharges me and stokes me up to be in life, to create, and to observe.  Details of urban spaces, coastal rhythms and natural landscapes all come out in my work.   My list is long for the next places to experience. 
 

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Sculpture by Samantha Dickie


Iván Meade - As a successful artist, are there any words of advice or lessons learned that you can share with working artists ready to take their art to the next level?

Samantha Dickie – Keep inspired, pay lots of attention to detail, and professionally document your work so that you can always present it well.
 

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Sculpture by Samantha Dickie

 

Iván Meade - What are your thoughts about the art scene in Victoria, specifically the ceramic sculpture scene?

Samantha Dickie - I haven’t seen a lot of ceramic sculpture, although there are extraordinary internationally exhibiting ceramic artists in and around Victoria (such as Robin Hopper, Meira Matthison, Cathi Jefferson, Wayne Ngan, Gordon Hutchens, and others).  I’m always interested to see ceramic work that is unconventional, and I think that Victoria would greatly benefit from exhibiting more contemporary sculpture, of all media including ceramic, particularly as public installation.
 

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Sculpture by Samantha Dickie


Iván Meade - What are you currently working on, what is the new and exciting with your work?

Samantha Dickie – I’m excited to be working on a new body of work that is just starting to unfold which will include a new installation, as well as individual sculptures, likely some of it intended to be installed outside.  And I’ll be focusing my attention this year to new glazes, textures, and photo transfer while I work in a new large reduction kiln that I’ve installed in my studio. 

 

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Sculpture by Samantha Dickie 


Iván Meade - You have already gone through many transformations with your work and found great success, what would you like your legacy to be?

Samantha Dickie – To work with clay in an unconventional way as a part of an exciting direction and community in ceramics that focuses on the creation of contemporary sculpture and installation.

 

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Sculpture by Samantha Dickie

 

I invite you to visit Samantha Dickie’s website at:

 

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Ivan Meade is a local designer and principal of Meade Design Group, a multidisciplinary interior and graphic design studio in the heart of downtown Victoria –www.meadedesigngroup.com



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Friday, 23 September 2011

Introducing… Edge Architecture

We cannot wait to share our most recent stationery and website package with you – EDGE architecture.

 

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Founder of EDGE architecture Gastón Castaño [maibc] came to Meade Design Group for an identity that would appeal to his design-conscious clientele. His company mantra? "The name edge recognizes the firm’s goal to provide a competitive edge to design practices that want to add value to their project deliverables".

 

We went for it, with a bold typography style and bleed that is most certainly eye-catching. The stationery was printed in four colours to maximize the punchiness of the edge brand, and even features a die-cut to enhance the unique feature of the offset lettering within the logo.

 

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To learn more about Gastón Castaño and his firm, please check out his website at:

http://www.edge-arch.com/



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Friday, 16 September 2011

Eye Candy of the Week - AUREOLE CHANDELIER by Holly Hunt

 

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PRODUCT

Aureole Chandelier

 

MANUFACTURER

Holly Hunt

 

DESIGNER

Solis Betancourt

 

MATERIAL

Chrome

 

DESCRIPTION

I like the attention to detail in this light fixture – It is delicate but has a strong presence.  It is the perfect blend of masculine and feminine characteristics and it has that transitional quality I love in any fixture.  It can look fantastic in a contemporary place or traditional setting.

 

Solis Betancourt lighting strikes a balance between contemporary and classic design, showcasing tailored details in metal and form, framing the collection of pendants and sconces. Finish details such as sandblasted and etched glass and patinated bronze lend depth and interest to intricately crafted design. – Holly Hunt Site

 

YUMMY FACTOR

Scrumptious!!!



MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Monday, 12 September 2011

Lilly Pulitzer Fabrics

Lee Jofa has recently launched a new fabric collection designed by New York socialite and prominent fashion designer Lilly Pulitzer. A licensed collection of home interior fabric and trimmings featuring the immediately recognizable prints and patterns that Lilly Lovers have adored for decades.

 

Lilly Pulitzer fabrics bring a new sense of fresh with her vibrant colours and elegant patterns. 

 

If you are not colour shy.  This is a collection for you to see.

 

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LILLY LACE – DANDELION

 

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TAIL LIGHTS - ISLAND CORAL

 

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SHELL WE - SHORELY BLUE

 

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IN A TWIST – LIFEGUARD

 

I invite you to visit Lee Jofa’s website for a complete look at the collection:

 

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MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011