Showing posts with label Lee Jofa. Show all posts
Showing posts with label Lee Jofa. Show all posts

Tuesday, 22 May 2012

IN CONVERSATION WITH SUZANNE RHEINSTEIN

 

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Suzanne Rheinstein

 

Masterful designer Suzanne Rheinstein creates traditional, but not stuffy or ostentatious spaces that feel comfortable yet luxurious. A Southern Belle after my own heart, Suzanne’s motto “Every day is all there is”, encapsulates the philosophy behind my mother’s way of life and the way I was raised back home in Mexico – stressing the importance of enjoying the beautiful things in life daily, not just for special occasions (such as ‘the good china’ or having fresh flowers at home).

 

Her designs have been published in all of the top design publications (including Architectural Digest, Elle Décor and House Beautiful), as well as her own book - ‘At Home’ which was released in late 2010. In addition to the success she has had with her interior design, Suzanne also has a very successful line of fabrics with Lee Jofa. A stunning collection inspired by antiquities which includes needlework, prints, linens, flocked patterns, textural solids, elegant silks and (my favourite) plush mohairs.  Lee Jofa is also planning a carpet line with Rheinstein which will be released later this year.

 

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Interiors by Suzanne Rheinstein

 

I am so thrilled to have this interview with Suzanne and cannot wait to hear what she has to say about design today. Please read on to get in on the conversation…

 

Iván Meade - What was your first experience with design?

 

Suzanne Rheinstein –I grew up in New Orleans, and I absorbed a love of architecture from living there. I was always very aware of my surroundings.  And I grew up during a time when the mothers were very interested in their gardens and houses…my mother certainly was and my next door neighbor was Gerrie Bremmermann, a doyenne of decorating in New Orleans.

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - What is your process to find that unexpected elegance in your designs?  Each of your rooms always have a moment that is unexpected and beautifully thought-out. Does the piece inspire you to create a room around it, or do you create the room and find the perfect piece to fit into it?

 

Suzanne Rheinstein - My decorating is object driven…I do love it when clients have, or I find for them, one of a kind things for a room…I do create rooms with a certain calm as my clients tend to have very busy and somewhat hectic lives.  An elegant and calm room is quite nice to come home to, whether it is rustic or more city.

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - It is more than evident that you have a long relationship and love for beautiful antiques; or in other words, you are very selective in what goes into your designs, what makes a piece important enough to be used in your projects?

 

Suzanne Rheinstein  - I don’t go for importance as in provenance or grandeur, but in a certain shape and patina or well worn paint or something that is a bit magical about it…and I do like pieces that show the hand of the maker

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - Hollyhock has become the place to go for quality handmade pieces for many designers.  How did your love affair with quality antique pieces begin?

 

Suzanne Rheinstein  - I was exposed to them because they were in so many houses and then my interest took off.  My favorite period is the late 18th century and the beginning of the 19th…in several countries…Louis XVI and Directoire style in France and the slightly wonky way the Italians interpreted that, Gustavian in Sweden and Regency in England….I love painted finishes espcecillay but I think they need to be mixed with woods too, unless you were doing a period room, which I don’t do.

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - We love the elegance and the comfortable sophistication of your fabric line by Lee Jofa - What is the inspiration behind it?

 

Suzanne Rheinstein –I was thrilled to be asked to do collections for Lee Jofa and I thought of fabrics I wished we had in the  library at my studio…one of the designs I wanted to do was a floral that my most sophisticated clients would like …I wanted to do a floral that looked like the wrong side of  one of the Lee Jofa hand blocked linens…I love to use the wrong side of them…and I did that with Garden Roses…it is soft and beautiful and it is only about 1/3 the cost of the hand blocked ones

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - What is the most practical thing that you own and what is the most rare?

 

Suzanne Rheinstein – The most practical thing is the Hollyhock racetrack ottoman, which is slip covered in a check in our library and covered with books and many times, feet!  The original was a Napoleon III window seat that I bought at auction…the man who ran Rose Cummings was in town when I opened and he bought it but not before I copied it…I have been making it since 1988.

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - What is your favourite element in nature and why?

 

Suzanne Rheinstein – That’s not easy, but I would  have to say foliage…our garden is mostly shapes in every shade of green and gray, with plants that just happen to bloom, flowers aren’t the point, shape and shadows are. But when the roses are blooming, as they are now (May), they are other worldly, rambling up all of the walls – and over the roof of the Back House…Reve d’Or, Mme. Alfred Carriere, Blanc Double de Coubert, Jeanne d’Arc (insane! Reaching up to the roof of our two story house) and Sally Holmes, a strumpet who runs wild.  Then when this blooming madness is over the garden is all about green and gray and shapes again.

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - Your book "At Home" is a great lesson in how to live with handmade pieces and how to recognize quality while maintaining an elegant simplicity - What motivated you to write this book?

 

Suzanne Rheinstein - I wanted to show how  these families live with beautiful pieces as well as comfortable upholstery  with children and dogs and having friends over and bringing leaves and flowers inside and really living in their houses…how having fewer things but better things is a good way to go, and how to decorate so that it evolves with your family.  I am happy to say that the book is in its fifth printing and people I meet tell me that they really read it!

 

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Iván Meade - What is next for Suzanne Rheinstein?

 

Suzanne Rheinstein – I have a  rug collection coming out in the fall at Lee Jofa…it will be stocked…and I am excited about it!

 

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Interiors by Suzanne Rheinstein

 

Iván Meade - Lastly, you have already created a stunning body of work with many mediums and styles, what would you like your legacy to be?

 

Suzanne Rheinstein -Happy and inspiring memories for the people who lived in the spaces I created…and the same for the people who have discovered  my work in books and periodicals

 

I invite you to visit the stunning body of work of Suzanne Rheinstein’s website:

 

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MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

Friday, 3 October 2008

The Best Geometric Fabrics

According to Wikipedia - Geometry (Greek γεωμετρία; geo = earth, metria = measure) is a part of mathematics concerned with questions of size, shape, and relative position of figures and with properties of space. The earliest recorded beginnings of geometry can be traced to ancient Mesopotamia, Egypt, and the Indus Valley from around 3000 BCE.


Woman teaching geometry


The theme of symmetry
in geometry is nearly as old as the science of geometry itself. But the question that arises here is why geometric patterns read as contemporary or modern patterns. This movement was, in a sense, an amalgam of many different styles and movements of the early 20th century, including Neoclassical, Constructivism, Cubism, Modernism, Bahaus, Art Nouveau, and Futurism.

The structure of Art Deco is based on mathematical geometric shapes. It was widely considered to be an eclectic form of elegant and stylish modernism, being influenced by a variety of sources. Among them were the so-called "primitive" arts of Africa, Ancient Egypt, and Aztec Mexico, as well as machine-age or streamline
technology such as modern aviation, electric lighting, the radio, the ocean liner, and the skyscraper.

From Le Corbusier Five Points of Architecture to the innovative use of colorful geometric and classic patterns by David Hicks. Today we can appreciate the use of geometric fabrics to add a splash of modern sense to any space. Here is a recollection of some of my favorite geometric patterns in fabrics. I have to say that the pictures don't do justice to the quality of the textiles.

All fabrics available through Meade Design Group.



Clerestory
Kravet Coture - Michael Berman
100% Viscose - 100% Linen - France



Agean
Kravet - Michael Weiss

41% Polyester, 36% Rayon, 23% Cotton - U.S.A.



Dragon Fly - Cut Velvet
Groundworks - Allegra Hicks



Infinity - Cut Velvet
Groundworks - Allegra Hicks


Domino Prints - 20797-504
Duralee Fabrics

100% Cotton


Morgan Wovens - 14867-8
Duralee Fabrics
64% Rayon 36% Polyester


Inlay
Kravet - Barbara Barry
36% Linen, 35% Cotton, 29% Silk - India




29191
Kravet - Kravet Green
100% Recycled Polyester - U.S.A.




Ropework
Kravet - Echo Home

36% Polyester ,27% Cotton ,17% Viscose, 13% Acrilic ,7% Linen

Italy



Archipelago
Kravet - Windsor Smith

100% Linen - U.S.A.



Katana
Groundworks - Kelly Wearstler

100% Linen -U.S.A.



Hexagon House Chenille - Stone
Groundworks - David Hicks

68% Rayon, 32% Cotton - U.S.A.




Mirella
Kravet - Echo Home

82% Viscose , 18% Cotton - Belgium



La Florentina
Groundworks - David Hicks

100% Linen - U.S.A.


Contemporary Geometric
G. P. & J. Baker
100% Viscose - Belgium




MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011