IN CONVERSATION WITH ASHLEY HICKS

 

Ashley Hicks

 

Ashley Hicks has become one of the strongest voices and most recognized names in the design world today.  He has done so by his own right, and not by just reinterpreting his father’s legacy.  The only son of legendary interior designer David Hicks and Lady Pamela Mountbatten is today one of the most respected designers in the United Kingdom.

 

Influenced by his father, Hicks studied painting and fine art, graduating from the Bath School of Art and Design  and trained at the Architectural Association School of Architecture, in London. He also worked briefly for his father's interior design house, before establishing his own architectural firm, which also designs interiors and furniture.

 

Creating a name for himself with his own endeavours, Ashley Hicks designed his first furniture collection, named Jantar Mantar, in 1997, starting with his interpretation of an ancient Greek Klismos chair in. In 2002 he entered the world of publishing; Design Alchemy, a review of interiors and products designed by him and then-wife Allegra (they married in 1990 but divorced in 2011; they have two daughters.)  as well as a personal memoir of his father, David Hicks: Designer, with a foreword by Tom Ford. The following year he went back to creating tangible products for his admirers, creating the David Hicks by Ashley Hicks collections of fabrics and carpet for Groundworks, before reprising his role as author with a definitive review of his father’s career and life, David Hicks: A Life of Design in 2009.

 

Ashley has designed architecture and interiors in Europe, the USA and the UK, mixing private residential projects with occasional commercial work. He divides his time between London and Oxfordshire.

 

Iván Meade – This may be an obvious question - as you were born into design royalty with your design superstar father the late David Hicks - but, What was your first experience with design?

 

Ashley Hicks – My father missed my birth as he wasn't dressed for it. He was at a dinner party and had to go home to change from black tie to a more suitable outfit for the hospital. So there's a design decision right there! When I was 6, he did a bedding collection for JP Stevens, and used its chic, striped sheets to line my attic bedroom, forming an Empire-style campaign tent, with bed and chairs covered in khaki tweed with scarlet edging, like a British army officer's uniform.

 

Interiors by Ashley Hicks

 

Iván Meade – What was the first piece or space that you designed?

 

Ashley Hicks – At 16, I was allowed to design my new bedroom when we moved out of Britwell to a smaller house nearby. Given a small attic room with awkward shapes, I painted walls, ceiling and woodwork black, with a black velvet carpet and all white furniture which seemed to float in space. Not a scrap of colour was permitted apart from the view of lush, green countryside framed by the circular window. I painted some big pseudo-Warhols in black and white, had one pattern in the room (my father's Clinch in – you guessed it – black and white) and made the inevitable tablescapes of objects suitably monochromatic. Always immaculate, it was ruthlessly chic, but very cold and hard: not somewhere I would feel happy now!

 

Interiors by Ashley Hicks

 

Iván Meade – It is clear in your body of work that your design influences are completely different than your father’s – How do you find your own inspiration to create your own design dialogue? 

 

Ashley Hicks – A lot of my inspiration does come from growing up with him and constantly looking at books, museums and houses together, although I later became fascinated by tribal art and natural organic forms, both of which were very alien to his aesthetic. I rather love age and accident, whereas he was all about freshness and precision.

 

Trepad by Ashley Hicks

 

Iván Meade - How would you describe your style?

 

Ashley Hicks – I'm never very good at that! Modern eccentric with classical ideas?

 

Interiors by Ashley Hicks

 

Iván Meade – Your furniture line is exquisite and also very memorable.  I love how you have played with the concept of visual weight by making the legs of your pieces soft, curved and delicate against the heavier look of the work surface.  This change, in my opinion, clearly demonstrates your own language or interpretation of your design vision – How did you come up with this concept?

 

Ashley Hicks – Thank you! I am fascinated by Roman household furniture, of which only the metal legs usually survive, and I thought what a practical way this was of making things. You can put a table together in 5 minutes! I love to make things myself, so I make a wooden pattern for my legs with sexy curves which I can perfect and then have cast, just as the Romans did. A little less fussy detail, no Bacchus heads or anything, but it's an old idea.

 

Sabre 56 Table by Ashley Hicks

 

Iván Meade – Do you like to sketch or work directly with the computer?

 

Ashley Hicks – Sketch! I draw everything by hand, making terribly amateurish coloured sketches of finished rooms that I find have a bit more personality than those astonishingly realistic renderings people make now on computer. They also give a less precise and more flattering impression, I find, as well as being happier-feeling somehow. Where the computer is fabulous is in architectural drawing – being able to repeat details and take off dimensions so easily, etc – which means that I can do all the necessary CAD drawing myself as it's so quick. For fabric designs, I draw or paint everything by hand but then use Photoshop for colours and effects, which is invaluable. Again, the speed! And the efficiency of being able to email files to the printers for everything from kitchen splash backs to special wallpapers.

 

Sketches by Ashley Hicks

 

Iván Meade – How do you bring your ideas to life?

 

Ashley Hicks – What I love is to keep them looking like ideas. I like things that aren't too polished or perfect, like a fabric that's drawn slightly roughly, as if it's still a little sketchy, still becoming something, still growing. I'm also a crazy do-it-myself person, so much so that I'm about to start carving the 10-foot high wooden columns for my clients' bay window, which I will then faux-bronze myself with my own very crude recipe, before painting a huge pattern of random geometry in parchment colours on their walls.

 

Thar & Sheaf Dining Chairs by Ashley Hicks

 

Iván Meade – Your hardware pieces are very organic in shape but you can also see that there is a lot of work in conceiving them. What was that process like?

 

Ashley Hicks – I discovered marvellous stuff called Super Sculpey used by animation studios and other modellers. I get a bit of wire and twist it into a shape I find interesting, often suggesting the forms of coral that I find on my sister India's beach in the Bahamas, and then mould the Sculpey as feels natural before popping it in the oven, and then sending it off to be cast in bronze. I love it. It's tremendously tactile and fun.

 

Hardware Design by Ashley Hicks

 

Iván Meade – What was the best lesson you learned from your father as a son and as a designer?

 

Ashley Hicks – As a son, I'm afraid I'm not sure how helpful most of his lessons were. He was enormous fun, charming and hilarious, and we did have great times together, but... As a designer, he taught me the vital importance of symmetry and harmony, and how to look at and enjoy old things. Since his death, through doing books on him and working with his archive, I've learned a great deal more, both from what he did, and from what he did not do.

 

Interiors by Ashley Hicks

 

Iván Meade - What is the best advice you could give to someone who is new in the world of design?

 

Ashley Hicks – Enjoy it! And do your own thing.

 

Interiors by Ashley Hicks

 

Iván Meade – I really admire your eye to reinterpret the design patterns of your father, the late David Hicks, in different manifestations.  What has been your favourite re-interpretation?

 

Ashley Hicks – I'm never one to choose a favourite. I love each of them differently. I'm very excited about the new, third collection of fabrics, some of them outdoor ones, that are about to launch with Groundworks/Lee Jofa.

 

Interiors by Ashley Hicks

 

Iván Meade - Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be?

 

Ashley Hicks – You're kind, but a bit exaggerated! To be honest, I've never thought of myself as having any legacy – I spent so much of my life surrounded by the glories of my grandfather's and my father's achievements, that it's only quite recently that I've been able to think of myself as doing anything of any real interest, but I am still not capable of thinking of any legacy of my own. Perhaps it will come…

 

Interios by Ashley Hicks

 

I invite you to vist Ashley’s stunning body of work at his website

 

MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011

LIVING WITH FABRICS

As seen in SNAP – May 2013

 

Fabrics can give a room its character as well as reveal as much about your personality as the clothes you wear.  Fabrics can be used in interiors in so many different ways – They can be your drapes, the upholstery in your furniture, pillows, table linens, sheets, blankets and even the towels you use every day are a type of fabric (terrycloth).

 

Iván Meade & Echo Eaton checking fabrics at Meade Design Group Studio

 

As you can see, we are surrounded by fabrics every day.  It seems that using fabrics in interiors should be a very important element in any home, but often this is underestimated.  Aesthetically, fabrics add texture, interest, and beauty; but they can also add functionality to your home.  For instance there are many reasons to dress up a window: Privacy is usually the first need, to keep out sunlight, to disguise the window’s unattractiveness or an unattractive view, and to add more colour and decorative interest to the room.

 

Echo graciously carrying fabrics available at Meade Design Group

 

On the other hand; cushions, pillows and trims come in various styles and can be used to reinforce the lines and style of your upholstered piece.  It is also important to select the right fabric for your lifestyle.  Something that will be durable, yet comfortable to the touch.  People are generally spending more time on their sofas than before, they eat while watching TV, have naps or socialize with friends and pets.  For linens in the 90’s  a 300 thread count was the minimum requirement for a nice set of sheets, nowadays you can find higher thread counts, but take this with a grain of salt because fiber quality, yarn size, finishing and construction can also affect the quality of a pair of sheets regardless of the thread count. After all, we spend around a third of hour lives in our bed.

 

Barbara Barry Fabrics at Meade Design Group

 

If you have kids or pets at home are you choosing the right fabric for your needs? If you have a window facing east or west where the sun hits the strongest – Have you selected the right fabric for your window treatments? – Do you have the softest sheets in your bed?  A fabric is defined by four qualities: its hand, which is the way it feels – rough, smooth, thick, or thin; its textural quality – tufts, nubs, bumps, and reliefs, it’s fibres – natural, synthetic, or blends;  and its pattering – interwoven or imprinted designs.  As a broad generalization, rough, nubby fibers and bold geometrical patterns tend to be more contemporary and masculine in style; smooth, glossy cottons, silks, and pictorial patterns tend to be more traditional and feminine in style.

 

Window Treatments at Meade Design Group

 

Fabrics definitely make our life more comfortable and enjoyable.  We often forget we are surrounded by them so why not give them the attention they deserve and choose fabrics that are really going to improve our lifestyle?

MEADE DESIGN GROUP - THE BLOG. Copyright 2007-2011